Layout with Packing 1b + 3b for Portuguese magazine EASI.

Horror Vacui: Fear of void, fear of empty space. How many angels can dance on the head of a pin? Is there really emptiness between the atoms? It is hard to imagine. Who can take comfort in the uncertain world of quantum mechanics? Better to consider strategies for filling vacuum, covering the blank surface with form and structure, and thus conquering it. It might seem extreme. Claustrophobic, even. But there is safety in numbers.

Two-page layout for EASI, a magazine from Porto, Portugal. See the image in high res to see the smaller details.

I’m still not quite done with the Packing series, even though packing algorithms have become a bit of a generative clichee recently. It becomes an issue of whether you’re able to give the image qualities beyond the default result of the algorithm. For now, I still believe that my take on it succeeds in doing so.

ElectroPlastiques: Object #1 / Grid distortion

I have a new exhibition coming up in Akron, Ohio as part of an artist in residence stay at the Myers School of Art. Titled "ElectroPlastiques", it is my first ever solo show. Interesting that it would take a show in the US for that to happen, although not really so surprising given that the European media art scene is geared towards festivals. The exceptions are the few European media artists who have found gallery representation, a process that seems to be going even slower in Europe than in the US.

I’m using this show to highlight some of the existing topics of my work with realtime animation, as well as a new direction dealing with physical output. I will screen a series of my generative animations, such as Neon Organic, ElectroPlastique #1 & #2 and Illuminations A. These pieces explore the plastic qualities of parametric software processes, where a single set of rules gives rise to an infinite sequence of possible configurations. The title of the show is intended to refer to the plasticity of digital media.

As a counter-point, I will be showing manifestations of my work in physical formats, where animation gives way to other qualities. My rapid prototyping pieces Object #1 - #3 and new work like the Grid distortion laser cuts explore the tactile possibilities of digital fabrication, while prints like the Packing series go beyond the limited resolution of the screen to explore issues of graphic detail.

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SinSurf, CNC-milled Corian panel, produced from STL files generated with Processing.

I just got an email with images from Lenny at HyperWerk, turns out my first foray into the world of CNC milling is done. And it looks better than I had ever expected, which is great news for me since I can now use it for my upcoming ElectroPlastiques solo show in Akron, Ohio next week.

The radial milling paths really make the piece come alive, of course it doesn’t hurt that Corian is such a beautiful material to begin with. I’ll definitely have to explore CNC more as a possible output medium, it provides some of the fine detail of rapid prototyping while allowing for much larger pieces. And the organic quality provided by the milling paths is very appealing, especially considering the digital origin of the form.

See my Flickr stream for more images. My thanks to Andreas and Lenny for their help with milling and photos!