Tags: art, digital-fabrication, exhibition, generative, grid distortion, marius-watz, sketch, watz, work
I’m working on a new 6-panel Grid Distortion piece for my Extrusion show next week, the final size will be 540 x 50 cm. I’ve been revisiting all the previous incarnations of the piece and tweaking the code to elicit new interpretations. Which led me to compile this summary of formal “typologies” that the piece is capable of exhibiting.
Given that the piece is essentially a variation on a very simple attractor simulation it tends to give very obvious (even almost boring) results, and its only through extensive tweaking of parameters and custom rendering styles that I’ve found results I’m excited by. Dave Bollinger made an accurate comment on Flickr that these are perhaps not very “watz-y” images, but its the translation of the form onto wood or metal that somehow completes the form for me.
Grid Distortion expanded: CircGrid on aluminum
Just last week I had some new aluminum pieces made in Berlin with Martin Bauer at Lasern in Berlin that represent a new direction in the series. Loosely titled CircGrid, these expand the same process to radially oriented grids. This might seem like an obvious extension, but the results are actually quite different. The images look less architectural, bringing to mind structures from nature like neurons, blood veins and plant roots etc.
I’m definitely enjoying this new and slightly more chaotic direction, as well as the crisp technical look of the aluminum.





